The dwelling house of two upper vocational school teachers on Lechner Square exemplifies excellently that the novel spirit of the Art Nouveau inspiringly influenced the attitude of the contemporary middle class.
The architect’s palace in Szeged is larger and more imposingly executed, yet it is more modest in comparison with its counterpart in Subotica, failing to reach its outstanding unity of style and the elaboration of its details.
This corner building dominantly shaping the cityscape is a masterpiece of the late Art Nouveau in Szeged. Its capriciously animated facades can be attributed to the architect’s imagination forced to distance himself from Art Nouveau and to the designer’s sober intuition under the pressure to return to Eclecticism.
Károly Somogyi, prebendary of Esztergom, aimed to make a contribution to the 'mental' reconstruction of the city in ruins after the flood by giving Szeged his priceless collection of books in 1881.
The Iron House was given its name after its spectacular shape. Looking from a distance at its facade sectioned by the strikingly marvellous, masterly executed corner pinnacle, ledges and bay windows, we may suppose that it is a historic monument.
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