he palace attracts our attention mainly owing to its position in the cityscape and of course, to its spectacular facade as well as to its unusual siting.
The architect’s palace in Szeged is larger and more imposingly executed, yet it is more modest in comparison with its counterpart in Subotica, failing to reach its outstanding unity of style and the elaboration of its details.
The dwelling house of two upper vocational school teachers on Lechner Square exemplifies excellently that the novel spirit of the Art Nouveau inspiringly influenced the attitude of the contemporary middle class.
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