Architectural Heritage 28 results
  • Serbian Orthodox Church

    The Serbian Orthodox Church stands on the northern side of the square, close to the bank of the River Tisza.
  • Schäffer Palace

    The current sight of the Schäffer Palace confronts us indeed with how much Szeged’s cityscape ...
  • City Hall

    The present City Hall is the third building in the same place with the same function. The first building of a modest design was raised in 1728. It was followed by the second one with the same area as the present hall, designed by István Vedres at the turn of the 18th and 19th centuries.
  • Ungár-Mayer Palace

    This corner building dominantly shaping the cityscape is a masterpiece of the late Art Nouveau in Szeged. Its capriciously animated facades can be attributed to the architect’s imagination forced to distance himself from Art Nouveau and to the designer’s sober intuition under the pressure to return to Eclecticism.
  • Old Synagogue

    The nicely preserved monument built between 1837 and 843 was created by the Lipovszky brothers, Henrik and József.
  • St. Demetrius Tower

    Outside the Votive church stands the Saint Demetrius Tower, the oldest architectural relic of the city.
  • Water Tower in St. Steven Square

    The tower, which can hold 1004,8 m3of water, was designed by Szilárd Zielinski.
  • Protestant Church

    The building designed by Frigyes Schulek, completed in 1884, is also called the 'Cockerel church' owing to the figure decorating its tower.
  • Reformed Church Palace

    he palace attracts our attention mainly owing to its position in the cityscape and of course, to its spectacular facade as well as to its unusual siting.
  • Szeged National Theatre

    The theatre opened in 1883 is one of the most beautiful eclectic neo-baroque buildings of the town rebuilt from its ruins
  • Reök Palace

    The architect Ede Magyar was thirty in 1907, when he constructed Reök Palace, an exemplary piece of Hungarian secession.
  • Raichl House

    The architect’s palace in Szeged is larger and more imposingly executed, yet it is more modest in comparison with its counterpart in Subotica, failing to reach its outstanding unity of style and the elaboration of its details.